Alma Reville
Below is a complete filmography (list of movies he's appeared in) for Alma Reville. If you have any corrections or additions, please email us at corrections@meninmovies.com. We'd also be interested in any trivia or other information you have.

Movie Credits
Shadow of a Doubt (1991)
[ Mark Harmon ]
Suspicion (1987)
[ Anthony Andrews ][ Jeremy Northam ]
Stage Fright (1950)
[ Alfred Hitchcock ]
The Paradine Case (1947)
[ Alfred Hitchcock ][ Gregory Peck ][ Charles Laughton ]
It's in the Bag! (1945)
[ Don Ameche ]
Shadow of a Doubt (1943)
[ Alfred Hitchcock ][ Joseph Cotten ][ Hume Cronyn ]
Suspicion (1941)
[ Alfred Hitchcock ][ Cary Grant ]
Jamaica Inn (1939)
[ Maureen O'Hara ][ Alfred Hitchcock ][ Charles Laughton ]
Young and Innocent (1937)
[ Alfred Hitchcock ]
Secret Agent (1936)
[ Alfred Hitchcock ][ Peter Lorre ][ John Gielgud ]
The Passing of the Third Floor Back (1935)
Waltzes from Vienna (1934)
[ Alfred Hitchcock ]
Forbidden Territory (1934)
Number Seventeen (1932)
[ Alfred Hitchcock ]
The Water Gipsies (1932)
Nine Till Six (1932)
Rich and Strange (1931)
[ Alfred Hitchcock ]
Sally in Our Alley (1931)
The Outsider (1931)
Mary (1931)
[ Alfred Hitchcock ]
The Skin Game (1931)
[ Alfred Hitchcock ]
Murder! (1930)
[ Alfred Hitchcock ]
Juno and the Paycock (1930)
[ Alfred Hitchcock ]
The Romance of Seville (1929)
The First Born (1928)
After the Verdict (1928)
The Constant Nymph (1928)
The Ring (1927)
[ Alfred Hitchcock ]

 

Alma Reville is perhaps best known as the wife of director Alfred Hitchcock, but she was also an assistant director, a screenwriter, and adaptor. She was raised near her father's workplace, Twickenham Film Studios, so it seemed only natural that she herself would begin working there at 15 as a rewind girl in the cutting rooms. She was soon promoted to editor/continuity girl. In this capacity she worked on The Prisoner of Zenda (1915). In 1922, she began working for Famous Players-Lasky Studios where she met Hitchcock. Together they went to work at the UFA Studios in Berlin. By 1925, they had returned to Gainsborough Studio, England where Hitchcock made his directorial debut with The Pleasure Garden. Reville worked as his assistant director. Thus began a working relationship that would last until his death, even though they did not marry until 1936. In addition to her formal professional duties, Reville also provided the great director with invaluable constructive criticism, functioning as his 'ultimate authority,' throughout his long career. She also occaisionally wrote scripts for other writers.


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