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Aîné des Ferchaux, L' |
(2001) |
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Amazone |
(2000) |
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Acteurs, Les |
(2000) | | [ Alain Delon ] |
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Peut-être |
(1999) |
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Une chance sur deux |
(1998) | | [ Alain Delon ] |
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Puce à l'oreille, La |
(1997) |
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Désiré |
(1996) |
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Misérables, Les |
(1995) |
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Cent et une nuits de Simon Cinéma, Les |
(1995) | | [ Alain Delon ][ Leonardo Dicaprio ][ Stephen Dorff ][ Martin Sheen ][ Harry Dean Stanton ] |
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Inconnu dans la maison, L' |
(1992) |
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Itinéraire d'un enfant gâté |
(1988) |
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Solitaire, Le |
(1987) |
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Hold-Up |
(1985) | | [ Guy Marchand ] |
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Joyeuses Pâques |
(1984) |
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Morfalous, Les |
(1984) |
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Marginal, Le |
(1983) |
|
As des as, L' |
(1982) | | [ Florent Pagny ] |
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Professionnel, Le |
(1981) |
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Guignolo, Le |
(1980) |
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Flic ou voyou |
(1979) |
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Animal, L' |
(1977) | | [ Gilles Kohler ] |
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Corps de mon ennemi, Le |
(1976) |
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Alpagueur, L' |
(1976) |
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Incorrigible, L' |
(1975) |
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Peur sur la ville |
(1975) |
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Stavisky... |
(1974) |
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Magnifique, Le |
(1973) |
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Héritier, L' |
(1973) |
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Scoumoune, La |
(1972) |
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Docteur Popaul |
(1972) |
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Mariés de l'an II, Les |
(1971) |
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Casse, Le |
(1971) | | [ Omar Sharif ] |
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Borsalino |
(1970) | | [ Alain Delon ] |
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Sirène du Mississipi, La |
(1969) | | [ François Truffaut ] |
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Cerveau, Le |
(1969) | | [ Eli Wallach ][ David Niven ] |
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Un homme qui me plaît |
(1969) |
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Ho! |
(1968) |
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Casino Royale |
(1967) | | [ William Holden ][ Peter O'Toole ][ Graham Stark ][ Woody Allen ][ Orson Welles ] |
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Voleur, Le |
(1967) |
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Tendre voyou |
(1966) |
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Paris brûle-t-il? |
(1966) | | [ George Chakiris ][ Alain Delon ][ Anthony Perkins ][ Kirk Douglas ][ Orson Welles ] |
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Tribulations d'un chinois en Chine, Les |
(1965) |
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Pierrot le fou |
(1965) | | [ Jean-Luc Godard ] |
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Par un beau matin d'été |
(1965) |
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Cent mille dollars au soleil |
(1964) |
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Homme de Rio, L' |
(1964) |
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Week-end à Zuydcoote |
(1964) |
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Chasse à l'homme, La |
(1964) |
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Échappement libre |
(1964) |
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Dragées au poivre |
(1963) |
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Aîné des Ferchaux, L' |
(1963) |
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Peau de banane |
(1963) |
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Mare matto |
(1963) | | [ Tomas Milian ] |
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Dongiovanni della Costa Azzurra, I |
(1962) |
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Doulos, Le |
(1962) |
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Un singe en hiver |
(1962) |
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Cartouche |
(1962) |
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Giorno più corto, Il |
(1962) | | [ Tomas Milian ][ David Niven ][ Terence Hill ] |
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Viaccia, La |
(1961) |
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Riviera-Story |
(1961) |
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Un nommé La Rocca |
(1961) |
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Amours célèbres |
(1961) | | [ Alain Delon ] |
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Léon Morin, prêtre |
(1961) |
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Une femme est une femme |
(1961) | | [ Jean-Luc Godard ] |
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Ciociara, La |
(1960) |
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Lettere di una novizia |
(1960) |
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Charlotte et son Jules |
(1960) | | [ Jean-Luc Godard ] |
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Distractions, Les |
(1960) |
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Française et l'amour, La |
(1960) |
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Moderato cantabile |
(1960) |
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Classe tous risques |
(1960) |
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À bout de souffle |
(1960) | | [ Jean-Luc Godard ][ François Truffaut ] |
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À double tour |
(1959) |
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Engel auf Erden, Ein |
(1959) | | [ Henri Vidal ] |
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Trois mousquetaires, Les |
(1959) |
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Un drôle de dimanche |
(1958) |
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Tricheurs, Les |
(1958) |
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Sois belle et tais-toi |
(1958) | | [ Alain Delon ][ Henri Vidal ] |
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Copains du dimanche, Les |
(1958) |
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À pied, à cheval et en voiture |
(1957) |
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Molière |
(1956) |
Once a key face of the French New Wave and one of the most famous actors in French film, Jean-Paul Belmondo strayed from his art cinema roots and morphed into a prolific, bankable action comedy star from the mid-'60s on. The son of a sculptor, Belmondo spent his high school years as more of an athlete than an artist, but he decided that acting was his calling by the time he reached his twenties. After studying drama at the Paris Conservatory, Belmondo began his professional career on stage and spent the first half of the 1950s doing theater. Making his film debut in 1957, Belmondo appeared in several films in the last years of the decade, including Les Copains du Dimanche (1957) and his first co-starring role with fellow French idol Alain Delon in Sois Belle et Tais-Toi (1957). Belmondo broke through as an international star, however, in Jean-Luc Godard's landmark first film, revisionist noir Breathless (1959). With his inimitable, roguish smile, unique looks, and witty yet moody performance as doomed thief/Humphrey Bogart fan Michel Poiccard, Belmondo perfectly embodied the cool youthful rebellion guiding Godard's trailblazing cinematic style, rendering Belmondo the Gallic James Dean and heir apparent to Michel Simon and Jean Gabin. Belmondo further displayed his range in Vittorio De Sica's Two Women (1960) opposite Oscar-winner Sophia Loren and as the titular priest in Jean-Pierre Melville's dark World War II drama Leon Morin, Pr |
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