Takeshi Kitano
Below is a complete filmography (list of movies he's appeared in) for Takeshi Kitano. If you have any corrections or additions, please email us at corrections@meninmovies.com. We'd also be interested in any trivia or other information you have.

Movie Credits
Takeshis' (2005)
Chi to hone (2004)
Izo (2004)
[ Takashi Miike ][ Bob Sapp ]
Zatôichi (2003)
Batoru rowaiaru II: Chinkonka (2003)
[ Sonny Chiba ]
Batoru rowaiaru (2000)
Brother (2000)
[ Omar Epps ][ Amaury Nolasco ][ Pat Morita ]
Gohatto (1999)
Kikujirô no natsu (1999)
Tokyo Eyes (1998)
Hana-bi (1997)
Gonin (1995)
Johnny Mnemonic (1995)
[ Dolph Lundgren ][ Keanu Reeves ][ Henry Rollins ][ Udo Kier ][ Bono ]
Minnâ-yatteruka! (1995)
Sonatine (1993)
Kyôso tanjô (1993)
Erotikkuna kankei (1992)
Sakana kara daiokishin!! (1992)
3-4x juugatsu (1990)
Hoshi tsugu mono (1990)
Sono otoko, kyôbô ni tsuki (1989)
Anego (1988)
Komikku zasshi nanka iranai! (1986)
Yasha (1985)
Kanashii kibun de joke (1985)
Jukkai no mosquito (1983)
Merry Christmas Mr. Lawrence (1983)
Sukkari... sono ki de! (1981)
Manon (1981)
Danpu wataridori (1981)
Makoto-chan (1980)

 

Takeshi Kitano originally studied to become an engineer, but was thrown out of school for rebellious behavior. He learned comedy, singing and dancing from famed comedian Senzaburô Fukami. Working as a lift boy on a nightclub with such features as comic sketches and striptease dancing, Kitano saw his chance when a comedian suddenly fell ill, and he went on stage in his place. With a friend he formed the comic duo "The Two Beat" (his artist's name, "Beat Takeshi", comes from this period), which became very popular on Japanese television.Kitano soon embarked on an acting career, and when the director of Sono otoko, kyôbô ni tsuki (1989) fell ill, he took over that function as well. Immediately after that film was finished he set out to make a second gangster movie, 3-4x juugatsu (1990). Just after finishing Minnâ-yatteruka! (1995), Kitano was involved in a serious motorcycle accident that almost killed him. It changed his way of life, and he became an active painter. This change can be seen in his later films, which are characterized by his giving more importance to the aesthetics of the film, such as in Hana-bi (1997) and Kikujirô no natsu (1999).


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